September 15, 2024

I read a post on Facebook that you could use lavender to stuff a pin cushion. I liked that idea and we have lots of lavender growing in the yard. I had a pattern for a small pin cushion made from a couple of squares of quilting cotton. Then, just a few days later, a pattern for a biscornu popped up in one of my Facebook groups so I decided that would be fun to make.

I was using scrap pieces of canvas for the two sides so the pin cushion is a lot larger than the pattern called for. It took a lot of lavender and I had to add a bit of stuffing to pop out the sides. I call it a pin pillow and have it sitting by my chair for evening stitching.

I love the aroma of lavender I get whenever I change needles (mostly because I’ve dropped and lost the one I’m using).

June, 2024

This was a weekly stitch-along from 2022. The first photo I have of the project was from February of that year so I was already behind. I worked at it off and on over the next few years but when Asher’s graduation was approaching I felt it was time to finish it and present it to him as a gift.

I was almost finished the stitching by the time I decided to give it to Asher. There were some “issues” with the alignment that I could live with but wanted to correct since it was a gift. One re-working led to another and I think I did at least a quarter of it over again. To be honest, it was the border that really caught my eye on this one, although I liked the touches of colour spread throughout.

I was pleased with the result and, much to my amazement, I’m downloading the patterns for this year’s stitch-along. Needless to say, I haven’t started it yet.

This is my third sashiko project and, perhaps, my favourite. It was purchased after I did my cranes; I think I was looking to purchase more thread when I came across this one. A couple of years after I made the purchase I attended a Guild demo on the technique. The instructor was showing various threads for the stitching and she had some beautiful thread colours. I immediately decided that was how I wanted to work this project.

I didn’t have any specific sashiko threa colours in my collection (only white) but I had a couple of sizes of pearl cotton. In the end I only used a few colours as some of the others blended too much and wouldn’t have been a noticeable change.

When I thought I was done I discovered a black and white photo of the panel and realized I was missing a bit of the tree theme in the colours I had chosen to work with. So I went back to the drawing board and, thanks to Stacia, I was able to get the stitches in almost the same spots as the original.

I was at a loss as to what I would do with it when it was finished. It is long and wide and I really didn’t have a surface it could cover or a spot on a wall that it would fit. Thanks to taking down one of my less-than-favourite wall hangings on my ceiling I found a spot for it.